A balance of delicate melancholy and hopeful energy expressed the beginning of a new love. This dreamy style eventually became OMG's signature sound, solidifying their place in K-pop.
In an industry fixated on the image of perfection, identity can become a bit of a fun-house mirror. There is something magically deceptive about Sunny Hill's "Midnight Circus. The theatricality of this acid jazz-infused tune was transposed into a visual delight in its music video, which turned the members into the stars of the titular event.
With a feel-good debut single that combined folky pop and bouncy hip-hop, AKMU struck K-pop gold on the first try, making good on their promise after winning the popular Korean competition show, K-pop Star 2. Siblings Chanhyuk and Soohyun, respectively 19 and 16 years old at the time, proved themselves to be one of the scene's most charming and dependable duos with this release. They faced lower-than-expected ratings plus tensions between Korea and Japan, but the ambient, mid-tempo track cut through the noise to solidify undeniable interest in the outfit from the get-go.
Jay Park feat. Infused with haunting siren-synths set against a cacophonous backing track, it basically set the tone for angsty rock tracks at YG Entertainment. The loosely structured song is a warning against the dangers of becoming friends with benefits. Taeyeon feat. But instead of bombastic, Taeyeon went subtle with this tender-yet-soaring anthem that channels one's inner voice to have confidence in the world and embrace the beauty of life.
This song, co-written by JoJo , just happens to play to both of those strengths in equal measure. Her solo debut deserved to be a smash hit, but it lives on as a testament to her star power. Their complete surrender to their concepts is what makes them exceptional stars. Six years ago, EXO fever officially began, marking one of the fastest takeoffs for a K-pop group to hit sensation level.
The ingenious blend of the sparse, Southern hip-hop beats and dynamic bubblegum-pop melodies showed EXO had the potential to win over a whole new generation of fans around the world. A shining example of the genre-less freedom K-pop artists can have in their singles, FTISLAND switched up their usual punk and heavy-rock sound by infusing it with Spanish guitar and a twist of tango.
Of course, the group's signature energy and lively vocal delivery from singer Hongki were all on display -- particularly on the rockin' chorus -- to hook in longtime fans even with this swerve in their sound. EXID had a few ups and downs after a promising debut, but the sleeper success of this trip-hop, trumpet-infused extravaganza was the perfect prelude to the new version of the quintet. From drumline divas to tap-dancing vamps , a shape-shifting girl group like After School cannot be tied down to one to one sound, but the outfit undeniably shines when they embrace a sentimental concept.
Composed in a stunning waterfall of swirling synthesizers, this single boasts one of K-pop's most unique takes on romance, using "Shampoo" as a poetic metaphor for a love that can sweetly envelope someone like a lingering scent but also sting your eyes if treated without care. After a seismic split led to an unclear future for TVXQ! Quirky, cutesy, sexy K-pop at its best, "Bubble Pop!
The effervescent production of "Bubble Pop! Bing Site Web Enter search term: Search. Del Boy's building a space rocket! Royal Ballet choreographer Liam Scarlett 'has been suspended over allegations of sexual misconduct with How drinking one cup of black tea or a glass of red wine each night could HALVE your risk of dementia and Vanessa Bryant breaks her silence three days after Kobe and year-old daughter Gigi died in chopper crash Is yours closing?
Lloyds, Halifax and Bank of Scotland to shut 56 more branches adding to the that have Madonna, 61, leaves the London Palladium in a black Versace coat as she returns to the stage for Madame X No phones allowed!
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Happy New Year! Simply the BEST! Very fast ship! With the fun and promise in details like that, the Arcs could be a band with a future — if Auerbach can find the time. A nearly three-hour Broadway musical about Alexander Hamilton "the ten dollar founding father without a father" might, on paper, sound like a tough feat to pull off.
Even if you didn't get to see the show, the soundtrack album still works as a fantastically fun ride of its own. It helps that the Caribbean-born orphan who became our first Treasury Secretary lived a perfect hip-hop life — hustling his way from poverty to "young, scrappy and hungry" New York success story, fighting a bitter North-South regional battle with Thomas Jefferson and finally going down at the hands of punk-ass Aaron Burr when beef turned lethal.
In Hamilton , the complex policy debates of the early Republic are rendered in verses worthy of Kanye. But along with being outrageously thrilling living history, it projects brilliantly into our own election season.
As Hamilton and Marquis de Lafayette sing after whooping ass on the British: "Immigrants, we get the job done. Jason Isbell chronicled hard-won sobriety and marriage on 's breakthrough Southeastern.
The best is "Speed Trap Town," a Nebraska- steeped acoustic ballad about a guy who sneaks a bottle into a high-school game and finally decides to leave town. It's hard to believe he ever really escapes. The year's best debut came from a year-old Australian singer-songwriter who marries the observational wit of Jerry Seinfeld, the word-ninja flow of Bob Dylan circa '65 and the guitar poetry of Stephen Malkmus.
As its title implies, these are songs wrought from a specific type of everyday quarter-life malaise — one brilliant song is about the stuff that runs through your mind when you can't fall asleep, another is about a botched meet-cute at a swimming pool. But Barnett's ability to pack her songs about nothing with vivid imagery and insight, literary detail and political insight, is astonishing.
Songs like "Pedestrian At Best" and "Debbie Downer" update the rich tradition of self-doubting Nineties alt-rock; other moments, like the heartbreaking "Depreston," have a wisdom — about aging, class anxiety, economics and relationships — that seems almost impossible for someone who's only beginning to find the depth of her artistic gifts.
All signs suggest those gifts could be bottomless. After a series of mysterious mixtape releases built around weeded-out goth moodiness and one half-baked major-label debut, in , he went for full-on Top 40 grandeur this time, without diluting any of his eerie allure. The sumptuous Max Martin joint "Can't Feel My Face" got America dancing to a sex-as-cocaine metaphor, thanks to a joyful hook Michael Jackson could have moonwalked to; "In the Night" amped up the violent undercurrents of MJ circa Bad while still feeling like a party; and bleary ballads like "Earned It" and "The Hills" spun gossamer sensuality into unlikely hit singles.
Who else but the Weeknd could make a line like "Only my mother could love me for me" work as pillow talk? It's just that kind of raw honesty that makes him such a revolutionary player. Does this guy know how to pick a moment, or what? D'Angelo dropped his first LP since in the final days of , as his big statement on America in a year of deep racial turmoil.
At first it might have sounded too good to be true, but after a year of listening, Black Messiah stands even taller. Even if we have to wait another 15 years for the next chapter, it'll take at least that long to truly absorb Black Messiah. What a time to be Drake. Toronto's finest enjoyed a hell of a year — his beef with Meek Mill turned out to be the most lopsided rap battle since LL Cool J crushed Canibus, and he dominated playlists from "Know Yourself" in the winter to "Hotline Bling" in the fall.
It all started with this, his purest hip-hop move in ages, which he called a mixtape even though it sold through the roof. No pop hooks, no romance, just a tightly sequenced set of rap cuts where he plays directly to his base by venting his anger and paranoia. He disses his own record label and kvetches about groupies as only he can: "I got bitches asking me about the code for the Wi-Fi. This is the darkest record he's ever made, yet it easily cleared a million copies sold in a year when virtually no one else did.
Even when Aubrey Drake Graham downplays his pop side, he runs the game. The feverish four-year wait for the follow-up to Adele's triple-platinum blockbuster, 21, was unlike anything we've seen this decade — and she didn't disappoint on this thunderous triumph. The pop-savvy "Water Under the Bridge" and the soaring piano ballad "Remedy" take on relationship drama with realist fire, while the lighthearted "Sweetest Devotion" dances right into ecstasy.
On 25 , she does it over and over again. Musically, lyrically and emotionally, Kendrick Lamar's third album is a one-of-a-kind masterpiece — a sprawling epic that's both the year's most bumptious party music and its most gripping therapy session. A rap superstar at last, after years on the underground grind, Lamar wrestles with the depression and survivor's guilt that followed his fame and success by turning to heroes from Ralph Ellison and Richard Pryor to Smokey Robinson and Kris Kross to Nelson Mandela and Tupac.
He lives large. He contains multitudes. The pleasures and rewards of To Pimp a Butterfly aren't easy. Leading the charge to bring live instrumentation back to hip-hop, Lamar and producer Sounwave call forth a sound as ambitious, free-associative and challenging as his rhymes: sci-fi funk on "Wesley's Theory," snatches of free jazz on "For Free?
He repeatedly returns to a moment when he found himself alone in a hotel room, distraught and screaming. Illustration by Ryan Casey. Madonna, 61, leaves the London Palladium in a black Versace coat as she returns to the stage for Madame X No phones allowed! Madonna forces fans to lock their mobile devices away in special fabric cases as she How you CAN stop jet lag wrecking your holiday: Ditch the melatonin pills, sit by a window and wear Britain's best takeaways: Top 12 fast food outlets are revealed at National Takeaway Awards with a humble Scotland Yard launches probe into sensational claim that Lord Lucan is alive and living as a Buddhist in Two men are fighting for their lives after shootings in separate attacks in London as a third man suffers Ban men from sports banter in the office?
That's sexist!Feb 14, · This is a tribute to this remarkable band, because today is its 50th birthday. This is one of the most memorable versions of this song, played in Woodstock Festival in August 17th, No.
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